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Stefano Arienti. It is the second part of Pasolini's "trilogy of life" and IMHO,the weakest :part of the reason can be found in the fact that it's merely more of the same ;after" Il decameron' the sensation of surprise has disappeared. Bawdiness,bawdiness and bawdiness,and a good dose of scatology. Besides,the stories,adapted from Chaucer are less interesting than in "IL decameron" ;the only good really good segment,as far the script is concerned ,is the one with the students and the miller's family:the mistaken identities are hilarious. But what remains is never really exciting.
The scene in which a gay is literally "fried " is downright disturbing,coming from a director like Pasolini;the sequence is treated seriously ,almost without humor-unless the donuts seller counts-. No one can argue the splendor of the cinematography;most of the times,it looks like pictures at an exhibition:the moist misty landscapes -particularly in the students' sequence- sharply contrasts with the mediterranean overcome by the heat ones in "il decameron";and the score,which includes old English traditionals is first-rate too. Ninetto Davoli,Pasolini's favorite actor,does his usual almost silent stint,in the grand tradition of Charlie Chaplin,which almost seems supernatural in this context;One should add that Josephine Chaplin is also part of the cast:some kind of double tribute.
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Rate This. Director: Pier Paolo Pasolini.
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